2011年12月8日星期四

‘24 Hour Hollywood Rush’ Theater Event To Launch In LA-_5046

‘24 Hour Hollywood Rush’ Theater Event To Launch In LA

HOLLYWOOD, Calif. -- Jamie-Lynn Sigler attends the opening night of “Driving Miss Daisy” on Broadway at John Golden Theatre, NYC, October 25, 2010Caption Jamie-Lynn Sigler attends the opening night of “Driving Miss Daisy” on Broadway at John Golden Theatre, NYC, October 25, 2010“24 Hour Hollywood Rush,” the first all-night theater extravaganza event of its kind on the West Coast, is coming next month to LA.

This night of unpredictable and unique theater will take place on Sunday, February 20 at the Ebell Theatre in Los Angeles, in support of The Baby Dragon Fund and The Los Angeles Gay & Lesbian Center. Ticket sales officially begin today at www.24hourhollywoodrush.org.

Dozens of Hollywood’s most talented writers, directors and actors will come together to participate in the unique evening. The uniqueness of its format, the unpredictability of the performances and the incredibly tight turn-around of content will all contribute to the evening’s excitement. The writing of the plays for “24 Hour Hollywood Rush” will commence the night before the show on Saturday evening February 19 at an undisclosed location.

A group of writers that include Silvio Horta (“Ugly Betty”, “Urban Legends”), Chris Landon (“Disturbia,” “Paranormal Activity 2”), David Holstein (“Weeds”) and Eddie Kaye Thomas (“American Pie” films) will have 12 hours to produce six 10-minute plays. At 8 AM the morning of the event, the scripts will be handed out to an assembly of directors which include Michael Sucsy (HBO’s “Grey Gardens”), Matthew Lillard (“SLC Punk!,” “Scream”), Kristin Hanggi (Broadway’s “Rock Of Ages”), Dan Harris (“Superman Returns,” X2”), Richie Keen (“Traffic,” “Important Things With Demetri Martin”) and all the actors who will begin rehearsals immediately. After just 12 hours of rehearsals, the curtains will rise on plays that didn’t exist the day before.

Actors scheduled to perform at the landmark event include Jamie-Lynn Sigler (“The Sopranos,” “Entourage”), Yeardley Smith (“The Simpsons,” “As Good As It Gets”), Rosemarie DeWitt (“United States of Tara”), Justin Kirk (“Weeds”), Amanda Righetti (CBS’ “The Mentalist”), Dileep Rao (“Inception,” “Avatar”), Amber Lancaster (MTV’s “The Hard Times of RJ Berger”), Jonathan Sadowski (”$#*! My Dad Says”), Brit Morgan (“True Blood”), Edi Gathegi (“Twilight”), Joel Michaely (“But I’m A Cheerleader,” “The Rules Of Attraction”), Jonathan Bennett (“Mean Girls”), Kat Foster (FOX’s “Til Death”), Michelle Borth (ABC’s “The Forgotten,” HBO’s “Tell Me You Love Me”), Michelle Clunie (Showtime’s “Queer as Folk”), Sharon Lawrence (“NYPD Blue,” “Little Black Book”), Cassie Scerbo (“Make It or Break It”), Jayson Blair (MTV’s “The Hard Times of RJ Berger”), Chris Redman (“CSI: Miami”), Jodie Sweetin (“Full House”), Margauerite Moreau (“Parenthood”) and Zibby Allen (”$#*! My Dad Says,” “Grey’s Anatomy”), plus more to come.

Yeardley Smith shared the following quote exclusively with Access Hollywood, “Given the fact that I’ve been extremely fortunate in my career and enjoyed a great deal of success, I consider it one my responsibilities in life to pay it forward. If that means I can help bring attention to worthy causes such as the Baby Dragon Fund, I’m delighted to do so. The icing on the cake is that Zibby Allen is also one of my dearest friends — and what’s better than helping a friend?!”

Ticket prices start at $30 for general admission. VIP tickets are also available, which include access to the VIP after-party featuring the all-star cast and crew, at the historic Ebell Club of Los Angeles following the performance. The evening will include a sponsored bar and non-alcoholic beverages provided by Neuro Drinks. For those unable to attend the event but interesting in supporting the project and organization, sponsored tickets are available, which will be utilized by members of the Los Angeles community in recovery, affected by addiction-related issues, and youth and seniors involved with the Los Angeles Gay & Lesbian Center. Regular and VIP ticketing, sponsored tickets, and donations to The Baby Dragon Fund are available at www.24hourhollywoodrush.org.

The event is being executive produced by Jason H. Kennedy (WonderFalls Entertainment) and Zibby Allen (”$#*! My Dad Says,” “Grey’s Anatomy”), both of whom have an intimate association with the performing arts, as well as The Baby Dragon Fund, which was founded in memory of Zibby’s brother Hunter. Kennedy and Allen are also the co-founders of “24 Hour Hollywood Rush.” Producers Kate Payne and Brett Ruttenberg, along with Associate Producer Micah Pittard, round out the team behind the event.

This first annual show features a host committee that includes West Hollywood Mayor Hon. John J. Duran, Chad Allen, Jonathan Aubry, Dustin Lance Black, Carlos Carreras, Jeff Consoletti, Marina D’Amico, Craig Dougherty, Kyan Douglas, Jeremy Glazer, Anthony Glomski, Jill Goldstein, Chad Griffin, Rachel Griffin, Carlos Carreras, Kristin Hanggi, Sara Isaacson, Frank Meli, Chris Landon, Beth Lapides, Tony Leonhardt, Scott Mitchell, Andrew Oldershaw, Brett Ruttenberg, Nikki Weiss, John Wolf, Damon Wolf, Fay Wolf and Ryan Young.

The Baby Dragon Fund fuels an array of essential recovery programs developed for the youth of Los Angeles to live fully and courageously in the face of addiction, depression and issues of sexual identity. With no government funding, these programs rely solely on private donation and fundraising. The target goal of the evening is to raise a minimum of $150,000 that will go directly to The Baby Dragon Fund.

For a complete list of programs benefiting from the night, please visit the Los Angeles Gay and Lesbian Centers sites specific to the programs they aid, here: Crystal Meth Recovery Services, Mental Health Services, Suicide Prevention & Youth Services.

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‘127 Hours’ Adventurer Goes To Game Show, Oscars-_4555

‘127 Hours’ Adventurer Goes To Game Show, Oscars

ASPEN, Colo. -- Aron Ralston attends the European Premiere of ‘127 Hours’ during the closing gala of the 54th BFI London Film Festival at the Odeon Leicester Square on October 28, 2010Caption Aron Ralston attends the European Premiere of ‘127 Hours’ during the closing gala of the 54th BFI London Film Festival at the Odeon Leicester Square on October 28, 2010A Colorado adventurer is going Hollywood after his story about amputating his arm to escape from a remote canyon inspired a movie.

Aron Ralston appears Wednesday on the NBC game show “Minute to Win It” and plans to attend the Academy Awards on Sunday.

The movie about his ordeal, “127 Hours,” has been nominated for six Oscars, including Best Picture and Best Actor.

Ralston cut off his right arm after it became pinned under a boulder in a Utah canyon in 2003. He feared he wouldn’t be found and would die there if he didn’t get free.

The Aspen Times reports Ralston is donating his winnings from the game show to the Colorado conservation group Wilderness Workshop.

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‘127 Hours’ Adventurer Aron Ralston Wins $125k For Enviro Group-_4475

‘127 Hours’ Adventurer Aron Ralston Wins $125k For Enviro Group

Access Hollywood Live: Aron Ralston Returns To The Scene Of His Entrapment
Caption Access Hollywood Live: Aron Ralston Returns To The Scene Of His Entrapment

ASPEN, Colo. -- A Colorado adventurer who inspired the Oscar-nominated movie “127 Hours” has won $125,000 for an environmental group on the NBC game show “Minute to Win it.”

Aron Ralston appeared in two pre-recorded episodes that ran back-to-back on Wednesday.

Ralston cut off his right arm after it became pinned under a boulder in a Utah canyon in 2003. “127 Hours,” which is based on his ordeal, has been nominated for six Oscars, including Best Picture and Best Actor.

The Aspen Daily News reports Ralston plans to attend the Academy Awards ceremony on Sunday.

Ralston says he’ll donate his game show winnings to the Wilderness Workshop, based in the western Colorado town of Carbondale. The group describes itself as an environmental watchdog for the White River National Forest in Colorado.

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Liz Taylor Died Wednesday In LA Of Congestive Heart Failure At Age 79-_4036

Liz Taylor Died Wednesday In LA Of Congestive Heart Failure At Age 79

LOS ANGELES, Calif. -- Elizabeth Taylor in 1954 in a promotional shot for the film ‘Elephant Walk’Caption Elizabeth Taylor in 1954 in a promotional shot for the film ‘Elephant Walk’Screen legend Elizabeth Taylor has died in Los Angeles. She was 79.

Publicist Sally Morrison says the actress died Wednesday morning at Cedars-Sinai Medical Center from congestive heart failure. Morrison says her children were at her side.

She’d been hospitalized for about six weeks.

Taylor first gained stardom as a child and appeared in more than 50 films. She won Oscars for her performances in “Butterfield 8” and “Who’s Afraid of Virginia Woolf?”

She was equally famous for extraordinary beauty and her stormy personal life, including eight marriages and a series of physical ailments.

In later years, she was a spokeswoman for humanitarian causes, notably AIDS research. That work gained her a special Oscar in 1993.

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MovieMantz- Top 10 Movies Of 2010!-_5881

MovieMantz: Top 10 Movies Of 2010!

Access’ Scott ‘Movie’ Mantz’s Top 10 Films Of 2010Caption Access’ Scott ‘Movie’ Mantz’s Top 10 Films Of 2010

LOS ANGELES, Calif. -- Wow, could 2010 have flown by any faster? I swear, it feels like I just got back from the Sundance Film Festival, and that was back in January.

That’s just one of the reasons why I originally could not fathom the prospect of coming up with a list of the 10 best movies of 2010. Of course, the other reason is that there were so many truly bad movies, some of which approached epic proportions. Submitted for your disapproval: “When in Rome,” “The Tooth Fairy,” “The Bounty Hunter,” “The Back-Up Plan,” “Killers,” “The Last Song,” “The Last Airbender,” and the crème de la crème of movie badness, “Furry Vengeance.” (I mean, really, what the heck was Brendan Fraser thinking?)

But as always, there were a few diamonds in the rough, so picking 10 amazing movies turned out to be easier than I anticipated. And since 2010 marks the true end of the decade from a technical perspective, there’s a good chance that a couple of these movies would have made the cut on the “Best of the Decade” list I came up with last year. As for what they might have been, read on.

10. “How to Train Your Dragon”: The first must-see movie of 2010 was also one of the year’s best surprises. What started off as an animated 3-D romp that was aimed squarely at kids soon turned into a rousing, exciting and very moving family adventure that adhered to the timeless sensibilities of “boy-and-his-dog”-style classics like “E.T.: The Extra-Terrestrial” and “The Black Stallion.” With the “Shrek” series running on fumes after four installments, DreamWorks Animation scored a fire-breathing hit that launched a brand new franchise.

9. “The Town”: In Hollywood, everyone loves a great comeback story (just ask Robert Downey Jr.). So after years of being better known as a tabloid punchline than as an esteemed filmmaker, Ben Affleck followed his solid directorial debut, 2007’s “Gone Baby Gone,” with this gritty Boston crime drama that was gripping, entertaining and wholly engrossing from start to finish. With only his second time behind the camera, Affleck proved that he was as technically proficient at staging elaborate bank heists and intense car chases as he was at crafting an engaging story with fully realized characters.

8. “Kick-Ass”: Talk about a movie that lived up to its name, “Kick-Ass” gave the superhero genre, which had been getting a bit stale and formulaic in recent years, a swift kick in the you-know-what. Thanks to an energetic vibe, a smart story and amazing performances from Aaron Johnson and Chloe Grace Moretz (who stole the movie as the foul-mouthed Hit-Girl), “Kick-Ass” did just that as one of the best superhero movies of all time.

7. “Waiting for Superman”: By taking an exhaustive review of the U.S. public school system that was just as informative as it was infuriating, director Davis Guggenheim did for education what his Oscar-winning documentary from 2004, “An Inconvenient Truth,” did for the environment. Despite the efforts of a few idealistic saviors who had brave ideas to restore the system to greatness, the government, as usual, turned out to be its own worst enemy. If you still haven’t seen “Waiting for Superman,” see it now; you might learn something.

6. “127 Hours”: Director Danny Boyle and screenwriter Simon Beaufoy followed up their Oscar-winning Best Picture “Slumdog Millionaire” with another unforgettable cinematic experience that celebrated the instinct to survive and the triumph of the human spirit. But it was James Franco’s bravura performance as trapped adventurer Aron Ralston that took the film to a powerful emotional level that stayed with you for well over 127 hours.

5. “Inception”: If there was ever a movie that absolutely needed to be seen twice, this was it. Actually, seeing it just twice barely scratched the surface of writer-director Christopher Nolan’s cerebral, mind-bending and mind-blowing puzzle, whereupon layers and layers of dreams (many of them happening at the same time) made for a riveting and all-consuming cinematic experience that duly rewarded moviegoers who were up for the challenge.

4. “The Kids Are All Right”: Director and co-writer Lisa Cholodenko drew upon personal experience for this smart, charming and ultimately moving portrait of a lesbian couple whose kids meet their biological sperm-donor father. But what really made it so refreshing was how ordinary it depicted the same-sex parents (wonderfully played by Annette Bening and Julianne Moore) as they grappled with a variety of domestic issues, their frustration with the careers and their never-ending challenge to keep the passion burning between them.

3. “Black Swan”: It would have been easy to praise Natalie Portman for her tour de force performance as a competitive ballerina whose obsessive dedication to her craft had disastrous consequences on her sanity. But Mila Kunis, Barbara Hershy and Vincent Cassel also gave Oscar-worthy performances in this dark, twisted, sexy and altogether breathtaking psychological melodrama that’s the best movie yet from director Darren Aronofsky (“The Wrestler”).

2. “The Social Network”: Director David Fincher and screenwriter Aaron Sorkin seamlessly crafted a riveting and exceptionally well-written masterwork about the formation of the most important technological phenomenon of the last 10 years. As for who really created Facebook, well, that’s the bone of contention, and that’s why “The Social Network” brilliantly combined the tragic elements of ambition, greed, betrayal, jealousy and loss of innocence to ultimately triumph as the “Citizen Kane” of the 21st Century. “Rosebud,” indeed.

1. “Toy Story 3”: It took Disney-Pixar 11 years to get from “Toy Story 2” to “Toy Story 3,” but the third installment was all the better for it, so it was worth the wait. It made the central focus of this otherwise clever, funny and exciting masterpiece – about the relentless passage of time – so much more effective, profound and ultimately moving. As Woody, Buzz and the rest of the “Toy Story” gang learned to let go of the past and embrace the future, so we should all do the same – especially since time really does fly by.

AH NATION POLL: What is your #1 movie of 2010? Click here to cast your vote!

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Source- Lindsay Lohan Tearful At Dinner With Samantha Ronson_3210

Source: Lindsay Lohan Tearful At Dinner With Samantha Ronson

LOS ANGELES, Calif. -- Samantha Ronson and Lindsay Lohan during Charlotte Ronson’s Fall 2009 show at NY Fashion WeekCaption Samantha Ronson and Lindsay Lohan during Charlotte Ronson’s Fall 2009 show at NY Fashion WeekLindsay Lohan stepped out for dinner with on-again/off-again girlfriend Samantha Ronson at Dan Tana’s restaurant in Los Angeles on Thursday night, but according to eyewitnesses, it wasn’t a romantic gathering.

“She was visibly pretty upset, just wiping her tears a lot,” an onlooker told Access Hollywood of Lindsay’s behavior.

The two women arrived at the restaurant a little after 10 PM and fellow diners in the packed eatery saw the newly blonde actress wiping back her tears not long after the couple sat down.

While Lindsay was tearful, Samantha reportedly paid little attention to the starlet.

“Sam would rarely look up,” the witness said. “She just kept texting.”

At one point, Lindsay attempted to get Samantha’s attention.

“She hit her hands against the table and yelled, ‘What!’ really loud,” the source said.

Despite the emotional scene, Lindsay caught attention for another reason too.

“She looked really beautiful,” the witness added.

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2011年12月5日星期一

The next challenge for the Middle East protesters_234

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The next challenge for the Middle East protesters
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David Ignatius
David Ignatius
Opinion Writer

The next challenge for the Middle East protesters

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In the early days of the Arab revolutions, it seemed as if a smartphone might be enough to break the power of repressive governments. These little devices could gather crowds, yes, but even more important, their cameras could document the violence that regimes used to suppress their people.

The smartphone changed the balance of intimidation. The rulers and their henchmen were suddenly at risk of being prosecuted, like Hosni Mubarak in Egypt, or hunted and killed, like Moammar Gaddafi in Libya.

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David Ignatius

Ignatius writes a twice-a-week foreign affairs column and contributes to the PostPartisan blog.

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But what about the power of the mob itself, the millions who braved police with little more than those cellphone cameras as protection? What can safeguard the individual against chanting demonstrators in the streets or doctrinaire religious parties in parliament? There is a tyranny of the majority, too.

Here is the next challenge for the citizen movements that are advancing from Tunisia to Syria — and eventually, surely, to repressive non-Arab states such as Iran and China. Once they have toppled the secret police, the revolutionaries need to draft constitutions affirming the rights of the individual.

America famously sealed its revolution with a constitution whose first 10 amendments protected basic freedoms of speech, religion and assembly, and the rule of law. We call them the Bill of Rights, after the 1689 British parliamentary act “declaring the rights and liberties of the subject.” That manifesto, in turn, was rooted in the Magna Carta.

Arabs are understandably tired of being lectured to by Anglo-Saxons, especially after Americans tried so disastrously to impose democracy in Iraq. “Much of our advice will be bad and most will be irrelevant,” cautions Nathan Brown, a George Washington University professor who has studied Arab constitutions, in a recent article titled “Americans, Put Away Your Quills.”

A lesson for Arab “founders” is that a constitution is just the beginning. The French revolution of 1789 proclaimed the “rights of man,” but the French quickly abandoned this template as they fell into terror and dictatorship. Therein lies an essential point about constitution-writing: It’s not so much the document as how it’s enforced. Brown notes that many of the Arab dictatorships had constitutions with flowery language about rights and freedoms. This didn’t prevent them from being police states, in practice.

One model that intrigues Mohamed ElBaradei, one of the godfathers of the Tahrir Square revolution, is the German Constitution of 1949. It embodied what the German people learned from the Third Reich, perhaps history’s most disturbing example of a majority trampling individual rights. The document begins with the phrase “Human dignity is inviolable” and enumerates a code to protect that dignity.

“In light of the increasing polarization in Egypt, I believe that, in the new constitution, we need a bill of rights that is inviolable,” says ElBaradei, who also cites the Brazilian and South African constitutions. “This is important, to assure every Egyptian that the road to democracy is here to stay.”

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